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Adam Bezzina

Barrie, Ontario studio furniture maker Adam Bezzina on design, live edge dining tables and making pieces others aren’t sure they can make.

Adam Bezzina
Location: Barrie, Ontario Education: Bachelor’s of Mechanical and Materials Engineering from University of Western Ontario Shop: About 1,800 square feet

How long have you been building furniture?
About 6 years.

What sort of furniture do you specialize in?
Everything I do is custom, one-of-a-kind, to meet a client’s requirements. Something we’ve become known for is building pieces others weren’t sure they could make.

Solid wood or veneer?
Solid wood! We want our pieces to stand the test of time. If we do need to use veneer, we often make our own that is about 3mm thick.

Inherited Vintage Stanley Sweetheart or fresh-out-of-the-box Veritas?
I have a couple inherited Stanley’s from my grandfather, the rest are all new.

Flowing curves or geometric shapes?
Flowing curves.

Favourite wood?
Too hard to pick.

Least favourite wood?
Maple.

Photos of Adam Bezzina

Quotes from Adam Bezzina

Our shop is located in a small indus­trial building on the outskirts of Barrie. As much as I love working with hand tools, the shop has been set up for efficiency. Some of my big investments are my 5' × 8' CNC and 10' sliding table saw. I now have one-full time worker with me, and we usu­ally have a co-op student helping us as well.

I’m pretty particular about the shop. Everything goes away when we’re done using it and we spend 15 minutes or more at the end of each day cleaning up so the shop is ready for the next day.

When I get a chance to design a piece, it generally starts in my notebook rough­ing out some ideas. Once a general idea has been put together, I put my engineering background to use and I get on my com­puter and create a 3D model.

I’m tired of seeing live edge dining tables. I think they have their place but I’m not very fond of them. To me, they don’t offer much of a challenge or creativity, as generally the table bases are very basic as well. I also can’t stand using epoxy with them – it’s just more plastic entering this world that isn’t needed.

So many people base furniture prices off of what they see on Wayfair but don’t understand the difference between something that’s mass produced using cheap materials and something that’s cus­tom made. I do my best to educate people on this by sharing the process. People say it’s expensive but I believe the best word is costly. It costs a lot to produce a high-qual­ity custom piece of furniture.

For the most part, I look at furniture makers overseas for inspiration: Joseph Walsh, Nick Pedulla` and Morten Stenbæk to name a few.

I grew up helping my grandfather in his shop and always enjoyed woodworking. When I bought my first house, I wanted some proper furniture – no more of this particleboard furniture that’s terrible for our planet. I started to build my own fur­niture with the goal of making pieces that last and are good for our planet. That little hobby grew into a passion and allowed me to leave my engineering career.

Being creative is what brings me joy in my work. Whether I’m designing a piece myself or get to solve creative problems with a design I’ve been asked to make, cre­ativity is the foundation of our work.

It has to be functional but beautiful at the same time. For me, form doesn’t follow function, they must work together to create a functional piece of art.

Whatever the most challenging part is – that’s my favourite. Whether I have to figure out a unique design challenge or the design requires a challenging aspect in fabrication, solving the problem and making it happen is the best feeling.

I’m very proud of a whiskey credenza I designed and built. I think I had over 40 design iterations until I was totally happy with it. It combined so many unique features into one piece of furniture. It’s completely solid wood, including the curved doors, hand-carved Naguri texture around the entire exterior, a natural stone top, a unique swivel wine glass storage system and an integrated hidden lift with back lighting. It was a piece I designed for an interior design show to showcase the endless possibilities with custom furniture. It includes the use of textures and other materials like stone, the integration of electronics and lighting, and unique solutions for storage. Not only was it very challenging creating a refined piece, but the fabrication offered some extremely challenging aspects as well and culminated in over 100 hours of labour.

Our video of the work of Adam Bezzina

Published June 15, 2025 | Last revised June 27, 2025

Rob Brown

Rob is the editor at Canadian Woodworking & Home Improvement and a studio furniture maker. More articles by Rob Brown

1 thought on “Adam Bezzina”

  1. I just cannot think about the work that you do. To not only have an engineering degree, learn hand tools from a grandfather but also computers. When I started there was no TV, computers or even a neighbor to show me the way. God bless you.

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